“This is a very profane screenplay,”
Jason Reitman warned the audience at LACMA before staging his latest Live Read,
a recitation of the Paul Thomas Anderson masterpiece Boogie Nights. “It’s one
thing to see it. It’s another thing to hear it. If you’re young or religious,
you probably should leave now.”
The laughs in the audience suggested
everyone knew what they were in for and cheered uproariously as Reitman
introduced his cast, which included Taylor Lauter as Dirk Diggler, Don Johnson
as Jack Horner, Judy Greer as Amber Waves, Mae Whitman as Rollergirl, Nick
Kroll as Reed, Jim Rash as Buck, Nat Faxon as Scotty J., and Kevin Pollack as
The Colonel.
Boogie Nights is of course about
porn, the transition from film to video and the perhaps forgotten art of the
well-crafted pornographic movie, a young lost soul looking for a mother figure,
and Dirk Diggler’s penis. His very, very large penis. At one point Reitman even
said “d-ck” instead of “Dirk” while reading the stage directions. As everyone
laughed, Reitman jumped in to explain: “It actually says that.”
If you’re squeamish about penis
references you probably shouldn’t continue reading. Or see Boogie Nights. But,
you’d be missing out.
Reitman’s Live Reads, presented by Film Independent, have become somewhat of a staple in Los Angeles. Audiences turn out in droves for his readings to see the actors he’s recruited perform some of the most beloved films in recent cinema, such as The Princess Bride and The Big Lebowski. Reitman already did a reading of Boogie Nights at the Toronto Film Festival, but last night, Reitman made the inspired choice to cast the shirtless Twilight hunk as Dirk Diggler — the role originated by another dude with a shirtless past, Mark Wahlberg.
Lautner was perfect. He captured
Diggler’s earnestness, sweet stupidity and eventual megalomania with an easy
grace that makes you wonder why he hasn’t been given more interesting roles in
films. Or maybe Diggler is just the perfect part for him. Either way, the
audience regularly stopped to cheer Lautner for everything from his “I’m gonna
be a big bright shining star” proclamations to his surprisingly moving
portrayal of Diggler’s coked-out breakdown in front of Jack. But the biggest
cheers came after Lautner sang, intentionally off-key, during the scenes when
Diggler is attempting to become a rock star.
Much of the charm of the reading came
from his interactions with Don Johnson playing Jack (Burt Reynolds in the
original). “Hey Jack, can you start calling me Dirk,” Lautner says. Johnson
pauses for a beat, looks at Lautner seated next to him, and sympathetically
responds, “Yes.” It’s the simplest dialogue, so it might not seem like any sort
of feat to pull it off, but Johnson and Lautner had an easy chemistry that
perfectly captured what Wahlberg and Reynolds brought to Anderson’s movie.
The laughs and giggle fits came
quickly and often from both the audience and the cast, thanks to the hundreds
of “c-cks” in the stage direction and the campy porn dialogue that populates
the rest of the script. Even scenes that played as heart-wrenching and
extremely dark in the film, such as when Philip Seymour Hoffman’s Scotty J.
tries to kiss Dirk and is immediately rebuffed, elicited laughs from the
audience. It’s not Nat Faxon’s fault though — his reading (and Hoffman
impression) was spot on and conveyed sincere desperation. If anything, the
dead-pan, aggressively literal stage direction was to blame for the laughter.
We’re not used to hearing that, and it’s one of the few downsides of these live
readings, even though it can be extremely informative in some cases (i.e. the
stage direction specifies that Dirk’s penis is 12 inches long. In the dialogue,
Dirk tells someone it’s 13 inches).
The supporting cast helped keep the
energy up for the two-hour reading. Jim Rash was brilliant as Little Bill (William
H. Macy) and Buck (Don Cheadle). Nick Kroll brought a perfect bro-y energy to
John C. Reilly’s Reed and had Johnson in stitches when he brought out his
Mexican accent to play Maurice TT Rodriguez (Luis Guzman). Judy Greer may not
have gotten to use her comedic chops as Amber Waves, but she gave a stunning
performance as the sad, motherly porn star that her Carrie co-star Julianne
Moore would have been proud of. Mae Whitman played Rollergirl, originated by
Heather Graham, as a ditzy, shrill bimbo who breathes heavily and moans
frequently, and Kevin Pollack brought a campy sinister growl to Robert
Ridgely’s The Colonel.
There were a few surprises during the
reading, which was based on the original test screening of Boogie Nights that
Reitman saw before the theatrical release which included scenes that were
eventually cut. After the iconic “Jessie’s Girl” scene, Diggler was originally
supposed to end up stranded on his childhood street. He approaches his house
and finds his old girlfriend Sheryl Lynn at the front door with a child. She
lives in the house now. He discovers that his parents died in a hit-and-run
with a drunk driver. The driver is revealed in flashback to be Johnny Doe, the
young up-and-coming porn star threatening to replace Diggler. It was an
interesting discovery, but not necessarily one that we might have missed.
Anderson got to have his big surprise car crash in Punch-Drunk Love five years
later. Perhaps he was compensating for the cut.
Boogie Nights is undoubtedly better
to watch, and it was easy to drift and attempt to imagine the long tracking
shots through Horner’s house at the 1980s party or the amazingly sinister
energy of the “Jessie’s Girl” scene. But Reitman’s cast brought a comedy and an
energy to what could easily devolve into shlocky camp without the reference
point of Anderson’s visuals. And it was ever so slightly heartening to know
that no one can keep a straight face when the word c-ck is thrown around that
much.
Tradução Rabbit:
As risadas da platéia sugeriram que todos sabiam onde estavam se metendo e aplaudiram ruidosamente enquanto Reitman apresentava seu elenco, que incluiu Taylor Lautner como Dirk Diggler, Don Johnson como Jack Horner, Judy Greer como Amber Waves, Mae Whitman como Rollergirl, Nick Kroll como Redd, Jim Rash como Buck, Nat Faxon como Scotty J. e Kevin Pollack como O Coronel.
Boogie Nights é com certeza sobre pornografia, a transição do filme para vídeo e da talvez esquecida arte bem-feita do gênero, uma jovem e perdida alma procurando por uma figura materna, e sobre o pênis de Dirk Diggle. Seu muito, muito grande pênis. Em determinado momento até Reitman disse "d-ck" ao invés de "Dirk" (N/T: "dick" é um termo pejorativo em inglês referente a "pênis") enquanto lia as orientações de palco. Como todos riram, Reitman foi ligeiro em se explicar: "Aqui realmente está escrito assim".
Se você tem problemas com trocadilhos sobre pênis, então provavelmente não deve continuar lendo. Ou assistir Boogie Nights. Mas quem sairia perdendo, seria você.
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